Martin Sulzer
Both abject through its texture and relatable in its fragility, WETWARE offers hyperreality without the common symptoms of alienation. A seemingly self-sustaining ‘organism’ is generated completely in digital through synthesis without reliance on ’real’ imagery. The resulting image is limitless, perpetually spilling outside itself. Suggesting a feed pulsating beyond a bodily surface or even any bodily context, the work examines digital intimacies while also referencing worship music in its relaxing albeit disorienting sonic composition.
Germany
Rosa Menkman
At the momentum of progress we will find Incompatibilities. Incompatibilities are where the potentialities, power and future leaks into the crevices of the not - or never - implemented newer futures. Which is why, if the new media are (partially) defined by the effects of the inte...
Tizzy Canucci
Filmed at Delicatessen in Second Life, Meilo Minotaur greets with ‘whoever tells a tale, adds a point’, a Portugese saying. And so we are invited to make our story from what has been placed there. In my case, I found a visual stream, a textual flow of consciousness, sounds, and t...
Aujik
Spatial Bodies depicts the urban landscape and architectural bodies as an autonomous living and self replicating organism. Domesticated and cultivated only by its own nature. A vast concrete vegetation, oscillating between order and chaos.
Music specially composed by Daisuke Tanabe.
...
