Shuning Zhang
The little man in the bottle, its whole world is just a mustard in the bottle for him.
This animation can be divided into three scenes, Bottle, Screen, and Information Cemetery. Bottle represents human's initial cognition of the world, and observes the target through his own naked eyes; Screen symbolizes the current mainstream cognitive means of mankind, that is, the world through digital media; and the final Information Cemetery is my cognitive means of the future human The reverie of ——Incarnate into the virtual reality with virtual information. However, in the end everything returned to the bottle. In the future, humanity finally lost its trust in electronic information.
I want to create a world that goes back and forth through the transition of screens and mirrors, bringing viewers to contemplation "outside the world". Using a combination of lamert and whiteness maps, the initial scene uses a specular reflection on the ground, and the final scene uses a fog effect to make a simple scene richer in depth of field, and through the scheduling of the camera, the scene changes from tiny to magnificent.
Software used: MAYA, Premiere, Cubase.
Special thanks to the independent musician "CampfireMan" for his production. His personal website is as follows: https://1762575848.wixsite.com/website
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