Eric Souther
"Many ritualistic practices include sensory overload, for example, drumming, dancing, or pain. The clinical analysis of these practices tends to talk about sensory overload as a method for disrupting the cerebral processing of information and decreasing the meaningfulness of your surroundings. In Haitian Vodun, sensory overload is used to break down the self in order to be susceptible to possession. Neoliberalism and domination culture use a similar approach to initiate a form of capitalistic possession, which alters your freedom to choose, to a freedom to choose what to consume, a system that focuses on winners and losers.
Marshall McLuhan uses Edgar Allen Poe's story A Descent Into The Maelstrom as a metaphor for evading the effects of media, which is the method of sensory overload that works upon us. The key for Poe's sailor evading destruction was to pay attention to Maelstrom and how it functions. Hence in my ritual, I use a mantra sampled from Terence McKenna "Don't abandon yourself to amazement, pay attention, pay attention to what we're doing", an almost impossible task when being presented by a spectacle of images."
United States
Alyssa Sherwood
The outrageous carnivalesque of free-association is unleashed in *The UnWoods*, where experimental forms and shapes meet each other in their respective landscapes, and combine to have a narrative moment together. Loosely based on the Kolkhoz frame sequence of the *Old and New*...
Peter Whittenberger
"A visualization of the possibilities of tempo and control. The work responds to the increasing speed of contemporary life as our society progresses technologically. I use the abstract, dancing forms to symbolize the increased choreography of our lives by social norms domin...
Jeremy Couillard
What happens when you drink the Wizard’s juice?
United States