Alyssa Sherwood
The outrageous carnivalesque of free-association is unleashed in *The UnWoods*, where experimental forms and shapes meet each other in their respective landscapes, and combine to have a narrative moment together. Loosely based on the Kolkhoz frame sequence of the *Old and New* and by using Sergei M. Eisenstein’s film theory, of combating hegemonic structures, the filmmaker uses eccentric combinations in this new sequence to construct a free and accepting diversity of movement, image, conflict, and even intimacy, satirizing the notion that there can be any ownership or authorship of reality. *The UnWoods* was created with handmade and digital techniques, using both mass-produced and original materials.
United States
Evan Grothjan
The American Dream.
A crashing people-less love parade.
Quite splendid.
United States
Ryan Wurst
Work out, pump iron, dance and frolick, but don’t make out….
United States
